I put these moods boards together to show the colour palette and tone of my film. I wanted to achieve the earthen, organic feel present in the work of John Bauer, Brian Froud and Paul Bonner, but inject it with flourishes of vivid colour to create heightened contrasts in tonal values to create something a little more vibrant. So there are a lot of browns, green and oranges in my film, but also bursts of brillant reds and electric blues.